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A corporate suit tries to ban fun, then gets seduced by a geisha. Classic.
Watch(JP)

Travel Stories of a Company President (1963)

salaryman satire1960s Japancorporate culture clash

Overview

It is the 16th series of the call series with the highest masterpiece among the "President" series. The president of the U. s.solar paint, heitaro Domoto (Morishige), has become completely American, and plans to rationalize the company to the American style and prohibit the company's entertainment. Members of the Taiko Kyushu Branch Company (Ryohei Miki), who were living in the banquet, were hit by a big blow, and the company and the meeting club were very annoying. After that, the president who went to the business trip to Kyushu met with a sexy Geisha (Junko Ikeuchi) on the way to the tour, and he felt like a fool.

Flag of JPJPJapanese
Content warning

Standout Aspects

Acting

Morishige's Americanized buffoonery is peak physical comedy

Direction

Sugie balances satire without cruelty—rare skill

Costume

The suits! The geisha robes! Visual culture clash

Best for:Solo: Solo viewing with sake and smug superiority·Friends: Film buff friends who get Showa-era references·Rewatch: Spotting Morishige's perfect comic timing on rewatch
Toshio Sugie

Director

Toshio Sugie

ReleasedJan 3, 1963
Runtime1h 31m
StatusReleased

Vibe

Pacesteady
Intensitylow
Tonelight
Feellight
TOHO

Top Cast

Hisaya Morishige

Hisaya Morishige

Machiko Naka

Machiko Naka

Tatsuyoshi Ehara

Tatsuyoshi Ehara

Daisuke Katō

Daisuke Katō

Haruko Tōgō

Haruko Tōgō

Keiju Kobayashi

Keiju Kobayashi

Yuriko Hanabusa

Yuriko Hanabusa

Norihei Miki

Norihei Miki

Keiko Awaji

Keiko Awaji

Junko Ikeuchi

Junko Ikeuchi

Yōko Fujiyama

Yōko Fujiyama

Izumi Yukimura

Izumi Yukimura

Frankie Sakai

Frankie Sakai

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Deep Dive

Trivia, insights & behind the scenes

Cultural

The 'President' series ran 16 films from 1956-1970, making Morishige's bumbling executive a defining image of Japanese salaryman culture.

Insight

1963 Japan was mid-economic miracle—this film captures anxiety about Americanization eroding traditional business relationships built on personal bonds (and alcohol).

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