One woman, three chairs, and enough emotional baggage to sink a cruise ship.
Acting
Murillo's three-role juggling act is masterclass-level shape-shifting.
Direction
Hevenith knows when to let the camera disappear entirely.
Writing
Chalem's dialogue lands like carefully placed punches.
Director
Michael Hevenith
Trivia, insights & behind the scenes
Chalem wrote this after her own father's death, performing it solo for years before this filmed version.
This belongs to France's 'theatre de boulevard' tradition of middle-class domestic devastation — think Feydeau but make it weep.
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