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What if the dead prince lived? One ring, one lie, and a man who dared crown himself.

Eternal Prayer -Louis XVII Lost in the Revolution- (2003)

period soap operaidentity contragic romance

Overview

The time of the restoration of imperial rule, some 20 years after the French Revolution. Gerald, who lives in the remote countryside near Paris, hears from a traveler that he is Louis XVII. Imprisoned with his parents Louis XVI and Marie Antoinette at the Tour du Temple, it is believed that he was killed as well after his parents were executed, but he is now told that he was secretly saved and brought away, and the body of the child in the Temple was a substitute. The traveler is wracked with illness, and after passing over a ring bearing the seal of Louis XVI, he dies. Being ambitious, Gerald decides to make use of this piece of evidence. What fate awaits this young man claiming to be Louis XVII...? Rallying against callous fate, he rises up in a world where he is surrounded by people of ambition and treachery, and amidst that callous fate the one ray of light comes from Anne, the girl Gerald loves.

Flag of JPJPJapanese

Standout Aspects

Costume

Post-revolutionary fashion that screams 'we're pretending the guillotine never happened.'

Acting

Kozuki Wataru sells Gerald's hunger so hard you almost root for the scam.

Best for:Solo: When you want to suffer beautifully in a corset.·Date Night: If your date likes tragic lovers and historical fraud.
Heads up:Emotional: This is Japanese period drama sadness: slow, inevitable, and it'll wreck you.
S

Director

Satoru Nakamura

ReleasedDec 30, 2003
Runtime2h 10m
StatusReleased

Vibe

Pacesteady
Intensitymedium
Tonedark
Feelheavy

Top Cast

Kozuki Wataru

Kozuki Wataru

Gerald

Rei Dan

Rei Dan

Anne

Itsuki Chihiro

Itsuki Chihiro

Rozario

Reon Yuzuki

Reon Yuzuki

Konstan

Ask about Eternal Prayer -Louis XVII Lost in the Revolution-

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Deep Dive

Trivia, insights & behind the scenes

Cultural

Louis XVII impostors were an actual phenomenon—over 100 men claimed his identity in the 19th century, making Gerald part of a bizarre historical tradition.

Insight

Director Satoru Nakamura uses the Takarazuka aesthetic (he's from that world) to heighten the artificiality—Gerald's performance of royalty mirrors the film's own theatrical excess.

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