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A director's love letter to the artists who became his life.

Ainda Não Acabámos: Como Se Fosse Uma Carta (2016)

intimatemeditativePortuguese art scene

Overview

Documentary

A walk for half a century, yes, a letter perhaps. Travels in my life, I could call it, which I like Garrett so much. A traveling as he would like, a loose story, memories, projects, meetings. Also because, since 1995, I have done several portraits of artists (Palolo, Bravo, Lapa, Skapinakis, Bartolomeu, Angelo, Sena, Ana Vieira and I prepare Sofia Areal and Fernando Lemos), I started to think that this is my life, these meetings , see, hear, cut, show, tease. I want, with this film continue to show what I see. [Jorge Silva Melo]

Flag of PTPTPortuguese
Content warning

Standout Aspects

Direction

Melo's half-century of filmed friendships distilled into personal essay.

Editing

Loose, memory-like structure—cuts that feel like thought itself.

Best for:Solo: Quiet afternoon when you want to feel like a fly on the wall.·Rewatch: Return visits reveal new connections between portraits.
Jorge Silva Melo

Director

Jorge Silva Melo

ReleasedFeb 8, 2016
Runtime50m
StatusReleased

Vibe

Paceslow
Intensitylow
Tonelight
Feelmedium
RTP
Artistas Unidos

Top Cast

Jorge Silva Melo

Jorge Silva Melo

Himself

Manuel Wiborg

Manuel Wiborg

Himself

Américo Silva

Américo Silva

António Simão

António Simão

Catarina Wallenstein

Catarina Wallenstein

Elmano Sancho

Elmano Sancho

João Meireles

João Meireles

Ask about Ainda Não Acabámos: Como Se Fosse Uma Carta

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Deep Dive

Trivia, insights & behind the scenes

Cultural

Álvaro Lapa and Luiza Neto Jorge were central figures in Portuguese experimental poetry; Melo's filming preserves a milieu rarely captured on camera.

Insight

The title's 'Garrett' refers to 19th-century writer Almeida Garrett, whose travels Melo emulates—this is a film about disappearing into others to find yourself.

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