Valparaíso, Chile, 1933. Years of psychiatric treatment and a seemingly happy marriage will not take away Elisa's memory of that youthful love. So, when some years later, Rebecca becomes a beautiful feminist, Elisa's fragile world will collapse in front of her eyes.
Acting
Cominetti's unraveling through stillness, not histrionics.
Production
Valparaíso's hills as claustrophobic prison of respectability.
Direction
Rojas makes 1933 feel urgently, uncomfortably now.
Director
Pablo Rojas
Trivia, insights & behind the scenes
Chile's history of psychiatric abuse against LGBTQ+ people under military and civilian regimes informs every frame.
The title references both Botticelli's Venus and Rebeca's emergence as an impossible ideal Elisa cannot possess.
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