

A sketchbook signature becomes a murder signature — but the wrong woman died.
Inspector Totsugawa of the First Investigation Division goes to Tsuruoka in Yamagata to attend the wedding of the son of Inspector Mukai, his former colleague who now works for the Yamagata Prefectural Police. While sightseeing at Mt. Haguro after the ceremony, he notices a young woman drawing him in her sketchbook. She introduces herself as Yuka Shiraishi and says she came to draw the Dewa Sanzan. Signing the drawing of Totsugawa next to the five-story pagoda with her initial, a 'Y' in the corner, she gives it to him as a present. The next morning, the corpse of a young woman who has been stabbed is discovered in a forest in Tsuruoka. When Totsugawa, on his way back, hears that a sketchbook signed with a 'Y' was found at the scene, he follows Mukai there. However, the body is not Yuka, the woman Totsugawa had met, and while no items pointing to her identity are found, the sketchbook is the same one Yuka had the day before.
Acting
Hideki Takahashi's weary warmth anchors decades of Totsugawa
Cinematography
Mt. Haguro's sacred stillness vs. forest crime scenes
Writing
Nishimura's elegant misdirection through tourist encounters

Director
Tōru Murakawa
Trivia, insights & behind the scenes
This is film #68 in a series spanning 1988-2017, with Takahashi playing Totsugawa for nearly 30 years — the sort of longevity American franchises can only dream of.
The Dewa Sanzan pilgrimage setting isn't just scenic; the sacred mountains' tradition of death and rebirth mirrors the film's body-swap mystery.
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