

After the death of her husband, an elderly woman and her youngest, unmarried daughter are forced to sell their house to cover his debts and decide to move in with one of the former's children, each of whom is scarcely happy to accommodate.
Direction
Ozu's signature low-angle tatami shots create invisible prison bars.
Writing
Every bow and greeting drips with buried resentment.

Director
Yasujirō Ozu
Trivia, insights & behind the scenes
Made during wartime privation, the film's housing crisis mirrored actual Japanese families torn apart by economic collapse.
Ozu allegedly destroyed the original negative; the surviving print was rescued from a warehouse fire, making this a ghost of itself.
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