Two sisters weaponize romance like it's a blood sport. Who needs therapy when you have petty rivalry?
After actress Satomi’s boyfriend Takuma breaks up with her, she starts dating a staff member named Onodera. At first, things go well, but the relationship quickly sours, and Satomi ends it. Afterward, Onodera meets Fusako through a smartphone app. Fusako is attracted to Onodera’s approach, and because she has a complex about her younger sister Rin’s extensive romantic experience, she begins to desire Onodera more and more. However, Onodera is only looking for something physical, and one day, while they are on a drive, he notices the change in Fusako and leaves her on the side of the road. After a long history of casual flings, Rin finally starts considering marriage, and Fusako agrees to marry Yoshio, a man she had originally rejected at her omiai matchmaking. Having previously felt a sense of superiority, Rin is now faced with humiliation and decides to find a husband no matter what.
Writing
Breezy 70 minutes that never overstays its welcome
Acting
Tsubaki Kato's competitive desperation as Fusako
Director
Tetsuya Takehora
Trivia, insights & behind the scenes
Pink films like this operate in Japan's unique 'romance porno' ecosystem — mainstream theatrical releases with explicit content, often directed by prolific journeymen like Takehora who churn out multiple films yearly.
The title's untranslatable wordplay — 'fura rete fu tte, mata nurete' — roughly evokes being dumped, drying off, then getting wet again, matching the film's cyclical romantic chaos.
No ratings yet
Sign in to join the discussion — comments are spoiler-gated to your watch progress.
Discussion starters
JP
